September 16th 1897. 10 AM. Around the Alameda, in Mexico City, a
stirred up crowd awaits the start of the Independence Day parade. Everyone
cries out with devotion when President Porfirio Díaz’s retinue comes into
sight. Everyone but one man, Arnulfo Arroyo, who makes his way through the
crowd. His goal is to reach the retinue, avoid the bodyguards and kill the
dictator. In reality, still hung-over from the previous drunken night, he only
manages to throw himself on the tyrant and hit him before he is detained. The
questions will not be easy to answer: We know the person directly responsible
for the failed attempt, but who are the masterminds behind him? We know that
the would-be assassin rests behind bars, but who is deciding his ominous
destiny? Uribes’ alter ego in the novel, diplomat and writer F. G., notices
with alarm that the would-be assassin is an old student friend. He feels torn
between curiosity and fear for his career. Avoiding risks, he begins to put
together dossiers, containing love letters, court protocols, diary entries and
newspaper columns. Simple policemen have their words echoed, as do high-level
functionaries, the mother of the would-be assassin and his killer.
The artfully constructed and many-voiced dossier fills in the gaps of
the historical narrative with fantasy and sensitivity, and brings the
characters involved powerfully to life. Uribe’s novel is full of insight into
the history of his country, and into the depths of the human soul, which he
portrays at times sarcastically and at times with subtlety, but always in a
balance between historical construction, artistic freedom and ironic
relativisation.
Awarded the 1st
Elena-Poniatowska-Prize of Novel in Mexico
Álvaro Uribe was born
in Mexico City in 1953. In 1977 he
received a degree in Philosophy from the UNAM. He was a cultural attaché in
Nicaragua and a cultural adviser of his country in France. During his time in Paris, he edited the
bilingual magazine Altaforte. He
then coordinated several collections in the National Council for Culture and
Arts, and in 1999, he became part of the National System of Creators of Art.
He is the author of eight works, including novels, short stories and
essays. His work has received much
praise from readers and critics alike.
Part of it has already been translated into French, English, and
German. El taller del tiempo
(The Workshop of Time), published by Tusquets Editores Mexico in 2003,
received the I Prize for Narrative Antonin Artaud 2004.