Humiliated by Lisa in a family celebration, Enrique
goes out for a while: he longs in vain to escape from a dull life which
repeatedly shows him that he is not master of even his house… but when he
realizes that he has forgotten his keys and gets back to the house, he will
learn some dramatic news from which he will take a malicious
profit.
When
he leaves prison, Ricardo visits an apartment his mother has bequeathed
to him, though he promised himself not to live in it until a jail mate would be
freed. However, Mercedes, the dumb maid, shows him that she’s
found rats in the place. Ricardo suspects that somebody, with dubious
intentions, is bringing them on purpose, and while he looks for a photograph in
the asylum where his mother has died and unfolds her strange last will, he will
discover intriguing secrets in the correspondence that she sent to him
in jail.
It is these sick travellers that step out of
certainty, regardless of their own wishes, as well as of reverence to stability
to the fixed home. They are victims of
lure in search of an object or of a past that will redeem them, but that in
reality consists of an unrecoverable order.
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