A narration by Isabel
Coixet that arises from the movie script.
The tale of a love story with Tokyo as its backdrop.
Midori’s suicide at a young age drives her father mad. Mr. Nagara, a rich Japanese business man, cannot get over the
loss of his daughter and seeks vengeance for her death. David, Midori’s
boyfriend, a Catalan man who owns a wine shop in Tokyo, cannot forget her
either. As a way of dealing with his grief, David begins a relationship with Ryu, a solitary and enigmatic girl that appears in his
store and with whom he will take the same walks and undergo the same rituals as
he had done with his previous girlfriend, until they both give into their
desperate sexual passion. The witness and narrator of this peculiar love story
is an engineer who has also fallen for Ryu and who is
obsessed with recording the sounds that surround her in different places – from
Tsujiki, the noisy fish market in Tokyo where she
works the nightshift, to the cemeteries that she likes to visit on Sundays. And
yet both David and the narrator are oblivious to the fact that Ryu has another occasional occupation: she is a hired
killer.
The tale is organized according to the tapes recorded in different Tokyo
neighborhoods that trace the fascinating map of the sounds of the city. The
narration speeds up as the pieces of the desolate and tragic puzzle, and the
relationships between the characters, all fall into place. As a backdrop, in
the words of Isabel Coixet, “the quasi-material
vibration emitted by the city of Tokyo at night: a mix of expectation, mystery,
shadows and sweetness that leaves a deep print”. The work also pays homage to
Japanese culture and, most especially, to the disturbing atmosphere in the
novels of Haruki Murakami and Banana Yoshimoto.
Map of the Sounds of Tokyo arises from the script of the movie and offers the reader a vibrant and
intelligent story about the intertwined lives of several characters. It speaks
about loneliness, melancholy, passion, and pain in the modern city par
excellence.
Isabel Coixet (Barcelona, 1962) has a degree in History from the University of
Barcelona. Before becoming a film director, she worked as a journalist for the
cinema magazine Fotogramas. Her first
feature film was Demasiado viejo para
morir joven (Too Old to Die Young,
1988), followed by Cosas que nunca te
dije (Things I Never Told You,
1996), A los que aman (To Those Who Love, 1998), Mi vida sin mí (My Life Without Me, 2003), La
vida secreta de las palabras (The
Secret Life of Words, 2005), Elegy
(2008) – an adaptation of Philip Roth’s The
Dying Animal – and Mapa de los
sonidos de Tokio (Map of the Sounds
of Tokyo, 2009), which premiered in the official selection at the 2009
Cannes Film Festival and won the prize for best sound, and which has already
been sold to several countries. Coixet’s films have not only achieved prizes
and international projection but have also won the director great prestige due
to her distinctly unique personal universe.