One hot afternoon, when the residents of Havana’s Marianao
neighborhood try to avoid the heat and the radio broadcasts the melody of a
calypso, a fifteen year-old boy goes out to the patio hoping for a bit of fresh
air. Sitting under the shade of the trees, he notices a sweaty gardener,
unaware of his presence, fixing the plants, sharpening his machete and
disappearing into the tool shack before the rain falls. This vision awakens
previously unknown sensations in him and the desire for new experiences. Nothing
will be the same after that, from the short erotic novels that he discovers in
his house, to the non-innocent encounters that he will spy on, or the
voluptuous attitude of characters such as his uncle Mirén,
the Landín sisters, the Black Tola,
or the attractive pitcher from the high school baseball team. Everything will
lead him to the joyful discovery of sex. In his initiation, the young man will
learn that eroticism is like a battle full of strategies, a fight without
winners or losers, but for which one must be prepared. His experiences will
open his eyes once and for all to reality and will mean the inevitable end of
his childhood during that year, unforgettable to him, when the entire world
vibrated to the rhythm of the calypso.
Abilio Estévez was born
in Havana in 1954 and currently lives in Barcelona. He has a degree in Hispanic
Literature and Languages and also studied Philosophy in his native city. He has
written two magnificent critically-acclaimed novels, Tuyo es el reino (Thine Is the Kingdom) -winner of the Cuban
Critics Prize in 1999 and of the Best Foreign Book Award in France in
2000- and Los palacios distantes (The
Distant Palaces) selected by the Spanish newspaper La Vanguardia as the Book of the Year in 2004. Both novels have
been translated into more than ten languages. He is also the author of a book
of short stories, El horizonte y otros
regresos (The Horizon and Other Ways Back) –Luis Cernuda Prize in
1986–, of the poetic prose Manual de
tentaciones (Temptation Manual) –Cuban Critics Prize in 1987–, and
of different plays, such as the monologues Ceremonias
para actores desesperados (Ceremonies for Desperate Actors).