Havana, summer of 2003. Fourteen years have gone by since Lieutenant Mario Conde,
disenchanted, leaves the police force.
Many changes have taken place during those years in Cuba, but also in
the life of Mario Conde. His interest
in literature and the need to make a living have made him dedicate himself to
the market of second-hand books. The
discovery of a very valuable library situates him on the border of a very good
business deal, good enough to solve his economic problems. In one of the books, however, he finds a
magazine page where Violeta del Río, a singer of boleros from the 1950s announces her retirement at the peak of her
career. He becomes attracted by her
beauty, by the mystery of her retirement, and by the silence thereafter. Mario Conde – now older and with more scars
on his skin and in his heart – begins an investigation without being able to
imagine that, by following the trace of Violeta del Río, he will awaken a
turbulent past that has been hidden from view, just like the magnificent
library, for over forty years.
Considered one of the best representatives of current Cuban literature,
Leonardo Padura brings back detective Mario Conde with La neblina del ayer
and creates a vivid literary chronicle of everyday life in his Caribbean
island. It is a portrait of the
difficulties in Cuba today, but it is also a trip to the nocturnal Havana of
the 1950s, to its music, to the world of books on the island, and it is also,
in a sense, a descent to the underworld of the world of Havana today, which
Conde must enter to follow the footsteps of the enigmatic singer Violeta del
Río.
Leonardo Padura was born in Havana in 1955. He obtained a degree in Spanish Language
and Literature from the University of Havana, and has worked as a scriptwriter,
journalist, and critic. He is the author of essays, collections of short
stories, and of La novela de mi vida
(The Novel of My Life) about the poet
José María Heredia, but is best known for his series of crime novels starring
Detective Mario Conde. These have been translated into many languages, and have
won prestigious literary awards such as the Café Gijón Prize in 1995, the Hammett
Prize for best crime novel in 1997, 1998, and 2005, the Premio de las Islas, in 2000, in
France, the Brigada 21 Prize to the
best novel of the year, as well as several editions of the Cuban Critics Prize and the National
Prize for Novel in 1993. The Mario Conde series, acclaimed by readers and
critics alike, is thus far made up of six novels: Pasado perfecto (Past Perfect), Vientos de cuaresma (Lenten Winds),
Máscaras (Masks), Paisaje de otoño (Autumn Landscape), Adiós, Hemingway
(Good-bye, Hemingway) and La neblina
del ayer (The Mist of Yesterday). In all of them, “el Conde” investigates
cases that bring the reader to the heart of contemporary Cuba.