A fascinating
historical investigation of the reasons why the great utopia of the 20th century
became corrupted
In the year 2004, Iván, an aspiring writer who
runs a veterinary clinic in Havana, looks back on an episode in his life that
took place in 1977, when he met a mysterious man walking two Russian greyhounds
on the beach. The “man who loved dogs” started to trust Iván
with stories about the killer of Trotski, Ramón Mercader, a close friend of his about whose life he knew
many intimate details. Thanks to these revealed secrets, Iván
is able to reconstruct the vital trajectory of Liev Davídovich Bronstein, also known as Trotski,
and of Ramón Mercader. Moved by some sort of macabre
predestination, they become victim and executioner of one of the most revealing
crimes of the 20th century. Both stories gain full sense when Iván projects upon them his own experience in modern-day
Cuba, his vital and intellectual processes, and his destructive relationship
with “the man who loved dogs”.
Leonardo Padura has written
an ambitious and fascinating historical investigation of the reasons why the
great utopia of the 20th century became corrupted.
Praise for previous
novel La neblina del ayer:
“Leonardo Padura
confirms his status as the finest crime-fiction writer in the Spanish language, a worthy
successor to Manuel Vázquez Montalbán.”The Times
“A historical, political and
social crime novel, but also a cruel, sentimental, somber
and bitter piece of beautiful fiction.” Lire
“Part biblio-mystery,
part tragedy and all brilliant. An
exceptional novel.” Publishers Weekly
“Bawdy, colourful and moving Havana Fever comes
highly recommended.” Crime Time
“The untold story of Havana, a city crushed by “historical exhaustion”. It is a fitting backdrop to a tale of love, music and murder stretching
over the epoch of the revolution.” Times Literary Supplement
“Like a crime fiction novel by James Ellroy but
with the beat of Havana.” Le Point
Leonardo Padura was born in Havana in 1955. He obtained a degree in Spanish Language
and Literature from the University of Havana, and has worked as a scriptwriter,
journalist, and critic. He is the author of essays, collections of short
stories, and of La novela de mi vida
(The Novel of My Life) about the poet
José María Heredia, but is best known for his series of crime novels starring
Detective Mario Conde. These have been translated into many languages, and have
won prestigious literary awards such as the Café Gijón Prize in 1995, the Hammett
Prize for best crime novel in 1997, 1998, and 2005, the Premio de las Islas, in 2000, in
France, the Brigada 21 Prize to the
best novel of the year, as well as several editions of the Cuban Critics Prize and the National
Prize for Novel in 1993. The Mario Conde series, acclaimed by readers and
critics alike, is thus far made up of six novels: Pasado perfecto (Past Perfect), Vientos de cuaresma (Lenten Winds),
Máscaras (Masks), Paisaje de otoño (Autumn Landscape), Adiós, Hemingway
(Good-bye, Hemingway) and La neblina
del ayer (The Mist of Yesterday). In all of them, “el Conde” investigates
cases that bring the reader to the heart of contemporary Cuba.