Ruben is a young painter who exhibits his work for the first time in
Madrid in 1936 and manages to immediately sell his best painting. He does not,
however, expect the affront of the buyer, Jerónimo de
las Hoces, who ends up
burning the canvas in his presence. When the outbreak of the war rushes
everything on, Ruben is destined to the Republican Propaganda Service and meets
viola player Marta Medina and her boyfriend Marcelo. The three of them will be soon
destined to the Extremadura front at Breda, a town of great strategic value where
the advance of Franco’s soldiers -trying to unite the southern area of the Peninsula
with the north- could be stopped. But Breda is also the home of a peculiar
landowner who enjoys art and who, sick with melancholy, has constructed a
mysterious burial mound, a monumental mausoleum in memory of his deceased wife.
A framework of individual and collective destinies with special emphasis
on the relationship between Marta and Ruben and on how art can become an
unexpected refuge in the midst of barbarism.
Eugenio Fuentes was born
in Montehermoso (Cáceres, Spain) in 1958. His novels have been awarded with the
prizes Extremadura a la Creación and IX Alba/Prensa Canaria (this latter prize
for El interior del bosque). He is the author of a collection of short stories,
Vías muertas (Dead Tracks, 1997), and
of a book of literary essays, La mitad de
Occidente (Half of the West, 2003). Fuentes, however, finds himself among
the Spanish crime fiction writers with international projection thanks to his
private investigator, Ricado Cupido, the main character in his series of
novels: La sangre de los ángeles (The
Blood of Angels, 2001), Las manos del
pianista (The Hands of the Pianist), Cuerpo
a Cuerpo (One on One – Brigada 21 Prize to the best crime fiction novel
written in Spanish in 2008), El interior
del bosque (Inside the Forest), and Contrarreloj.
Tusquets Editores has also published Venas
de nieve (Veins of Snow), a brilliantly narrated story about the fight
against fatality.