María José Sánchez works as an art valuer in an auction house in Madrid.
One day she receives a call from an old friend, Jaime González, announcing that
a common friend, Marcos, has committed suicide. That makes her go back in time to when she was a Fine Arts
student, when she still dreamed of being an artist, and makes her relive the
intense love story which she shared with both men. María José reconstructs the
passion of that ménage à trois, and realises how it marked all of them
deeply, for good and for bad, when they were in their early twenties and
everything seemed possible. Following in the footsteps of Jules et Jim,
the overwhelming happiness of the group allows for both the discussion and
exploration of sex. It is also a test
of the coexistence and rivalry between the three young painters, a reflection
on the bonds between love and creativity.
With Cardboard Castles (Castillos de Cartón), Almudena returns in
part to the world of the eighties, years of commotion and excess, of erotic
liberation, but also of authentic passion that brought to life the image of
youth and happiness.
Almudena Grandes (Madrid, 1960) became widely known as a writer in 1989
with her novel Las edades de Lulú,
which won the XI Sonrisa Vertical Prize. She
has received the acclaim of readers and critics ever since. She is the author
of eleven novels and two books of short stories that have established
her as one of the most solid and internationally-known narrators in contemporary
Spanish literature. Many of her works have been taken to the big screen, and
her novel, El corazón
helado, one of the most acclaimed and
long-lasting successes in current Spanish literature, has received, among other
awards, the Fundación Lara Prize, the prizes of the booksellers in Madrid and Seville, the Rapallo Carige in
Italy and the Prix Méditerranée in France. Her novel Inés y la alegría was
awarded the Critics Prize in Madrid in
2011, the Elena Poniatowska Prize 2011 and the Sor Juana Inés de la Cruz Prize 2011, and
El lector de Julio Verne was selected
best book of 2012 by the readers of El
País.