What would you do if one day you woke up with amnesia
in a body that was not your own? What would you do if each time you fell asleep
your soul switched bodies and you were therefore forced to be, successively, a
beautiful actress, a lonely little girl, a crooked policeman, a relapsed
junkie?
In an unknown time, in a terrifying Madrid broken up
by ditches and panicking over the avian flu, the main character of this story
goes from one body to the next trying to find his own identity, trying not to
fall in love with a girl who attracts all of his different bodies, trying to
watch a movie which surprisingly holds the key to what is happening and trying
to prevent a crime to which he has already been a witness and whose details are
familiar to him: The murderer, the murder weapon, the date and time. Everything
but the victim…
Nadie me mata is a work that, from the perspectives
of humor, fantasy, and through the use of characteristics specific to crime
fiction, approaches the strangeness of the 21st century man before his body,
before the incomprehensible fact of being and before the incapacity to
recognize one’s own identity.
Javier Azpeitia (Madrid,
1962) has published four novels: Mesalina
(1989), Quevedo (1990), Hipnos (1996 – awarded the Hammett Prize
for Crime Fiction and brought to the big screen by David Carreras) and Adriana en Naxos (2002). As a literary
editor, he is the author of a thematic anthology of poems by Góngora, Lope and
Quevedo (Baroque Poetry, 1996), an
edition of La vida es sueño (1997),
and of an anthology of Flos Sanctorum
by Pedro de Ribadeneyra (Vidas de santos,
2000). His works have been translated into French, Greek, and Russian.