What do a planet, a fish egg, and the ballpoint of a pen all have in
common? According to Wagensberg,
understanding means achieving the minimum expression of the maximum
shared. As it turns out, it seems that
a huge part of the objects that surround us share a very reduced number of
forms: even though it did not
necessarily need to be so, nature is full of rhythm and harmony. Even though it did not need to be so either,
nature seems to be intelligible. This
essay ambitiously treats the perplexity that these verifications can
cause. Why are certain shapes– spheres,
hexagons, spirals, helixes, parabolas, cones, waves– especially frequent? Why these and not others? How do they come about? How do they persevere? In order to
understand it and explain it to the reader, the author weaves a conceptual
scheme that serves to organize his thoughts.
The discovery consists in the confrontation of complexity and
uncertainty. From there on, one can
pull apart the rest of the concepts:
anticipation, mobility, technology, independence and, above all, the
three major sections (fundamental, natural and cultural). The whole makes up La rebelión de las
formas (The Rebellion of Forms), a genuinely interdisciplinary study that
does not exclude the world of art, philosophy, music, or even writing.
Jorge Wagensberg (Barcelona, 1948), Doctor of Physics, is professor of
Irreversible Process Theory at the University of Barcelona. He not only
investigates and disseminates science, but is also a dynamic promoter of the
debate of ideas, which has achieved him Catalonia’s National Prize for
Scientific Thought and Culture, among other awards. He is the director of our
Metatemas collection and is now responsible for the Scientific and
Environmental Area of the “la Caixa” Foundation, after having directed the
scientific museum CosmoCaixa, a reference for science museums around the world.
He is the author of a dozen books and of many works of investigation on
thermodynamics, mathematics, biophysics, microbiology, paleontology,
entomology, scientific museology, and the philosophy of science, as well as of
journalistic articles on a number of different topics. We have
published six wokrs, among them Si la
naturaleza es la respuesta, ¿cuál era la pregunta?, La rebelión de las formas, A
más cómo menos por qué and El gozo
intelectual.